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The annual fundraiser takes place from 6:30 to 10 p.m. April 2. Mayor Libby Schaaf is the honorary chair with ABC7 news anchor Cheryl Jennings as the evening’s host. The five-story 1929-era French château, located at 525 Bellevue Ave. in Oakland, affords beautiful views of Lake Merritt as well as a glimpse into the stylish grace of an earlier period in Oakland’s history. “The Bellevue Club also provides a wonderfully intimate way for guests to preview our new season,” says event co-chair Roz Perazzo. “People attending will be seated right next to the dancers as they perform giving them a very special experience.”.
This year’s program white ballet slippers for flower girl entitled “A Cappella — Our Bodies Sing” features the Oakland Ballet in collaboration with three local a cappella vocal groups, “It’s been an amazing process putting this together,” said Graham Lustig, Oakland Ballet artistic director, “It’s so creative watching the dancers and choreographers try different dance combinations to this very powerful music.”, Lustig utilized his own considerable choreographic skills by pairing with Nona Brown and the Inspirational Music Collective to create “Stone of Hope.” According to Lustig, Dr, Martin Luther King’s “I Had a Dream” speech was the catalyst for his work..
“I was so taken by his passion and how the united country he dreamed of hadn’t come to fruition yet,” Lustig said. “Combining the dancers with Nona’s wonderful gospel vocals is very powerful.”. The evening’s entertainment also includes world-renowned choreographer Val Caniparoli’s collaboration with the Berkeley Community Chamber Singers, who will be singing the music of American composer Stephen Foster, and the husband and wife team of Janice Garrett and Charles Moulton, who are partnering with Vajra Voices. The eight-woman medieval singing group will focus on songs by 11th century composer Hillegard von Bingen.
“We will also have white ballet slippers for flower girl students from the Oakland Ballet Academy perform two pieces,” Lustig said, Guests will begin the evening with cocktails and hors d’oeuvres in the ballroom where they will also enjoy the dance and vocal performances, A silent auction follows featuring vacation packages, tickets to local sporting and cultural events, luxury good and more, Guests can even bid on a cameo role in the company’s annual “The Nutcracker” production, A dinner catered by the Bellevue Club concludes the festivities, All proceeds benefit the Oakland Ballet’s educational outreach program..
“Our goal is to raise $25,000 to support the education and community program,” said Perazzo, who co-chairs the event with America Foy. “We hope to purchase a new set of costumes for traveling. Typically, we take the ‘Nutcracker’ costumes, but we only have one set and taking them from place to place gets them a bit worn. We’d really like another set just for traveling and community events.”. Last year, the Oakland Ballet’s outreach program brought “The Nutcracker” to more than 5,000 schoolchildren.
On Friday evening at the California Theatre in San Jose, Symphony Silicon Valley delivered spirited performances of the Fauré Requiem and works by Borodin and Mussorgsky under conductor Paul Polivnick, Aided by the ancillary Symphony Silicon Valley Chorale and Resounding Achord, the evening was revelatory for its enthusiasm and expressiveness, but at times, uneven in matters of conviction and communication, Gabriel Fauré, an infantryman in the Franco-Prussian white ballet slippers for flower girl War, was, to his credit, the French composer least affected by the Teutonic colossus of his time: Richard Wagner, The Symphony winds delivered his Pavane’s subtle, dancing lines with palpable élan, and refined gradients of color were found in the searching, wafting melodies of the strings..
The requiem, one of the most solemn of forms, was essayed in the 19th century by Cherubini, Brahms, Verdi and Berlioz. None is as introspective and intimate as Fauré’s seven-movement work. Baritone Jordan Shanahan was the standout in a resonant performance of “Libera me,” rendered with uncommon clarity and expressiveness. Soprano Rhoslyn Jones, on the other hand, was uneven, both sharp and flat in “Pie Jesu,” but there were moments of solemnity and tenderness as she sang the words “Dona eis requiem” before the close of the movement.
Throughout the Fauré, the chorale white ballet slippers for flower girl was notable for its enthusiasm, which appeared to grow whenever the score demanded more forte, Their sound was sweet and, at times, majestic, But emphasis on certain notes felt overprepared, even unnatural, and some quieter passages lacked distinction, The Symphony remained resplendent when the tempo quickened, and Polivnick unfurled a vast array of distinctive colors, In Borodin’s “In the Steppes of Central Asia,” the astonishing impressionistic tone poem, the brass delivered with strength, the strings with brilliance..