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So often 3-D is a dispensable alternative, a way for studios to squeeze more money out of ticket buyers while adding little to the moviegoing experience beyond red imprints on the sides of each spectacle-wearer’s nose. There are some imaginative exceptions, including the dance documentary “Pina” and the forthcoming “Gravity,” which uses the technology to convey the nightmare of being lost in space. Add to that list the reissue of “The Wizard of Oz,” which screens at Imax theaters for a week ahead of its 75th- anniversary DVD release.
According to a short video that Imax made, converting the 1939 classic about Dorothy’s adventures in a fairy-tale land to 3-D was arduous, The first part of the process sounds reminiscent of restoring an old painting: After transforming film reels to a digital format, the movie’s images are sharpened and colorists remove dirt, scratches and imperfections from years of wear and tear, Then the stereo conversion begins, which consists of isolating individual objects in each frame and layering them to give a sense of depth, “The Wizard types of pointe shoes by foot type of Oz” is the oldest film to get this treatment..
The result is stunning and a lot less gimmicky than it could have been. The 3-D elements are subtle; what’s more noticeable is the clarity of the picture. Small details such as Judy Garland’s freckled face and the Cowardly Lion’s carefully coiffed curls come into sharper relief. Each gem in Dorothy’s ruby slippers appears to sparkle individually at different times. Technologically, the third dimension doesn’t create too much of a wow factor — for example, the poppies don’t pop nearly as much as one might expect — but there is a kind of deference shown to the fantastical film that has been a childhood staple for generations.
Seeing “The Wizard of Oz” on the big screen also offers an opportunity to consider the incredible special effects, considering the film types of pointe shoes by foot type was shot more than seven decades ago, long before computer-generated imagery, The black-and-white scenes of Dorothy battling against the wind as a twister approaches are especially transporting, And Toto’s impressive training all but ensures that another generation of kids will be clamoring for a Cairn terrier, The only negative aspect of getting such a close look at the film is that some of those special effects fall apart under close inspection, The Wicked Witch’s green face looks more like makeup, and the quick cuts that allow the legs of the witch’s dead sister to curl up and disappear under Dorothy’s house are more noticeable..
“Cancer strikes out of the blue,” Gregory said. “All of a sudden, plans are on the back burner and everything becomes subordinate to the battle. Decisions must be made between awful and terrible alternatives.”. The 69-year-old Oakland resident wrote about her subsequent surgery, chemotherapy and radiation treatments in a journal, which she has turned into a one-woman play called “Safe Journey: One Woman’s Battle with Breast Cancer.”. Gregory has already performed scenes from the play at Stage Werx Theatre in San Francisco and The Marsh Theatre in Berkeley. She will perform the entire play at Montclair Presbyterian Church this month.
Gregory, who describes “Safe Journey” as an intensely personal play, says “journaling” her experience with breast cancer was therapeutic for her, “I’m a writer, that’s how I express myself best,” said Gregory, who moved to Oakland from Chicago in 1981, “It’s a very spiritual journey.”, She said the play touches on the array of emotions and thoughts she experienced after her diagnosis and during her treatment, “There are encounters with the devil, the poet Rumi, doctors, family types of pointe shoes by foot type and friends, nightmares and meditation,” said Gregory, who finished her course of treatments last October..
She said she’s feeling fine nowadays and has stepped off the emotional rollercoaster of dealing with cancer. “I’m done,” she said. “I’m in acceptance. I’ve done what I could. It will be what it is.”. This isn’t Gregory’s first foray into playwriting. She has also written two plays — “Apple of Nobody’s Eye,” parts 1 and 2, about her experience teaching elementary school children in Chicago and Oakland. “I had a calling to work in the inner city and teach difficult children,” said Gregory, who taught at Lockwood Elementary School on International Boulevard for many years. “It’s so sad to see the lives of some of these children.”.
She also performed “Apple of Nobody’s Eye, Part 2,” at Montclair Presbyterian Church, where she is a congregant and sings in the church choir, “The church is wonderful about supporting artists and creativity; I’m so grateful to them,” said Gregory, who got her start in storytelling after taking a class at Stagebridge, which teaches performing arts to seniors at First Congregational Church of Oakland, The mother of two grown sons, Gregory also enjoys hiking, camping and travel with her husband Joewoen, She has visited Bolivia many times in partnership types of pointe shoes by foot type with the Bolivian Association Joining Hands for Life, a Presbyterian outreach ministry..