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“Pure dance” can also allude to folk forms, where pattern and rhythm rule. Alexei Ratmansky’s jewellike “Seven Sonatas” (2009), the quiet, ingenious gem (and sole company premiere) in Program 6, gave folk and jazz inflections to the neoclassical language, breathing life into dependable ballet steps while also illuminating the folk nature of ballet itself. Each of the sonatas focuses on a musical element, and just as the composer, Domenico Scarlatti, explored and elegantly tinkered with his material, so Ratmansky (now American Ballet Theatre’s artist-in-residence) played with the structure and format of his dance studies to create the seamless look built on often wry and always poignant dance naturalism.

Ratmansky’s gentle humor was evident the moment the dancers, clad in white, sprang onto the stage with patterned idiosyncrasy, like characters in flight from a Chekhov play, Women repeatedly altered the placement of men’s bodies in relation to theirs, and the men adapted without complaint, One of the men took a wide-legged stance on the floor, left arm outstretched, and one of the women ran behind him and softly ricocheted sansha lyrica pointe shoes off his arm, She then moved the arm out of her way before floating off as others moved in liquid configurations around them..

Roles that seemed solid were upended by jazz and modern-dance punctuation, leaps and patterns that consistently decomposed and reformed themselves in a kind of delightful cross-talk. The wonderful assembly of Mathilde Froustey, Joseph Walsh, Frances Chung, Gennadi Nedvigin, Vanessa Zahorian and Davit Karapetyan swiftly created partnerships and then often deconstructed those. Froustey stretched into arabesque like a modern-day sylph. Zahorian dropped back like a tango dancer. Karapetyan slammed his feet together as if part matador and part Tartar tribesman. Nedvigin quoted Robbins. Carrying them onward was Ratmansky’s ingenious spatial counterpoint and switchback forms.

In contrast, “Prism,” with its large cast, created big blocks of action that floated like autumn light on the surface of Beethoven’s Piano Concerto No, 1 in C major, performed brilliantly by the orchestra and grounded by Roy Bogas’ impeccable piano work, Styled in moody shades of pumpkin, ruby and beige, “Prism” featured a latticework of trios, and a studied flow that echoed Balanchine’s grand “Concerto Barocco.”, Sasha De Sola and her men, Vitor Luiz and Carlos Quenedit, knit the work together with elegance, while Sofiane Sylve and Luke Ingham offered up their duet like some sansha lyrica pointe shoes regal puzzle, In a bravura solo, Taras Domitro ripped up the stage in circling leaps, Then, as if the ballet’s creator, he brought the assembly together to take bows..

Wheeldon’s “Rush,” a work as dark and sharp as ribbon candy, flowed with a sensuous and undulant certainty to the complex, jazz-inflected music of Sinfonietta La Jolla for chamber orchestra and piano by Bohuslav Martinu. Opening with a nod to Indian dance, Wheeldon seamlessly wove in jazz clenches and Graham contractions as humanity whipped across the stage. Maria Kochetkova and Joan Boada were mysterious and stately in their central roles, which were beautifully echoed by Max Cauthorn, Francisco Mungamba, Lauren Strongin and Jahna Frantziskonis.

The free event, which includes lunch, is from 11 a.m, to 1 p.m, sansha lyrica pointe shoes at the JCC, 14855 Oka Road, Children can play baseball, basketball, tennis and soccer, Volunteers will be available to guide them through the activities, While the special needs kids rotate among sports activities, their siblings can enjoy bounce houses and games, RSVP to or call 408.357.7447, There will also be a kids corner with a bounce house, and a raffle and silent auction, Children are free, adult tickets are $100, Purchase tickets at

What happens to the arts when the upper class just aren t as classy as they used to be ? Divorce rates by employment status, education and race. U.S. cities that are the most and least: extroverted, emotionally stable, agreeable, conscientious and adventurous. And there s a whole lot of shaking going on: Man-made earthquakes are on the rise. Photo: Sondra Radvanovsky as Norma performs in a dress rehearsal for Bellini s Norma at the War Memorial Opera House in San Francisco, Calif., on Tuesday, Sept. 2, 2014. Some lament that today s patrons of the arts are less interested in opera and ballet. (Ray Chavez/Bay Area News Group).

Members pf Red Bull Flying Bach will bring the breakdancing-meets-baroque skills to the Bay Area in May, (Red Bull Fllying Bach), Good old J.S, Bach, wig doubtless a bit askew, gets dragged, willing or no, into the 21st century when the German dance team the Flying Steps kicks off its Red Bull Flying Bach U.S, sansha lyrica pointe shoes tour in San Francisco s Masonic Auditorium for a May 20-22 run, The four-time world champion breakdancers will be doing their pops, spins and freezes to the strict-tempo strains of the Baroque master s The Well-Tempered Clavier, A Swedish ballerina joins seven male dancers in this fusion of urban dance and precision ballet, and there s a storyline to pull you further into the mashup, Tickets, $26-$76, are now on sale through— Sue Gilmore, Staff..

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