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The edgiest offering was the pas de deux from William Forsythe’s 1999 “Pas./Parts,” originally created for the Paris Opera Ballet and danced with haunting physicality by French-born Sofiane Sylve with Carlo Di Lanno. (It receives its company premiere on Program 1.) But even this segment was an elegy to romance, albeit a postmodern one accompanied by a haunting electronic score by Thom Willems suggestive of slow, deep groans from an animal dying underwater. And what of the season? Two new works commissioned this year are by young, up and coming choreographers: “Fearful Symmetries” by the much in-demand Liam Scarlett of Britain (Program 2), whose fluttering “Hummingbirds” is already in the San Francisco Ballet repertory and “In the Countenance of Kings” on Program 7 by San Diego-born choreographer Justin Peck, a New York City Ballet soloist. Also of note is the U.S. premiere of Forsythe’s complete “Pas./Parts” in Program 1.
Reprised works include Tomasson’s quiet “7 for 8,” Mark Morris’ “Drink to Me Only With Thine Eyes,” Jerome Robbins’ hopeful classic “Dances at a Gathering” and two by Christopher Wheeldon, “Rush” and “Continuum.” The company is restaging sansha dance sneaker choreographer Yuri Possokhov’s hit ballet “Magrittomania,” along with his visually delicious but choreographically muddled “Swimmer” in Program 5 — a mini-celebration of Possokhov’s 10th year as resident choreographer..
The season also features three full-length ballets (a genre for which the public is especially hungry and thus one that sells lots of tickets) including “Swan Lake” as Program 3, “Coppélia” as Program 4 and the celebrated 1965 “Onegin” by the late John Cranko of Stuttgart Ballet, a dramatic rendering of Alexander Pushkin’s classic novel-in-verse “Eugene Onegin” as Program 8. Taken as a whole, the 2016 season creates a picture of dance as a form of glimmering human persistence.
When all was said and done Thursday, this year’s San Francisco Ballet’s gala was less about the dance than dancing, In “Bartok Divertimento” by Tomasson, rising San Francisco Ballet School trainee Natasha Sheehan was transcendent sansha dance sneaker as a silky but strong, open-hearted yet crisp ingenue among a trio of men, Jennifer Stahl in “The Waltz of the Hours” revealed a new womanly command of her dancing that gives substance to her coltish joy, Taras Domitro moved his legs like weapons, while Dores André sprung from the shadows to prove herself a complex artist of silk and steel, Joseph Walsh, meanwhile, performed with boyish insouciance on top of flint; reserved Yuan Yuan Tan glowed with depth and nuance; and Hansuke Yamamoto displayed a sweet, athletic command..
Members of Compagnie Hervé Koubi perform What the Day Owes to the Night at ODC Theater Jan. 22-24. (Courtesy Compagnie Hervé Koubi). Hervé Koubi s dance company makes its West Coast premiere this weekend at ODC, with an evening-length work that represents a deeply personal tale for the French-Algerian choreographer. What the Day Owes to the Night, inspired by the novel of the same name, tells the story of Algerian immigrants and mirrors Koubi s own background. Compagnie Hervé Koubi performs the work, which includes elements of martial arts, contemporary dance and ballet, but tickets are going fast: 8 p.m. Jan. 22-23 and 3 p.m. Jan. 24; $30-$45; 415-863-9834, www.odcdance.org.— Randy McMullen, Staff.
She wondered how sansha dance sneaker a person feels when eating alone, if there was a feeling of self-consciousness or if some other activity seemed to override attention while eating, In her Artist’s Statement, Ferrary says, “When I started to photograph people eating alone, I realized I would never be at a loss for subjects.” She found them everywhere, from sidewalk cafes to park benches to curbs on the street, Her images were captured in locations from San Francisco to London and Paris, She notes that they “lend themselves to speculation on peoples’ thoughts, stories and feelings during their solitary meals.”..
“Do Parisian solitary eaters have a different style from New Yorkers?” she asks, wondering if the viewer can speculate on the location where any of the photos were captured. “As these images testify, this modern-day dining habit may possibly be universal,” she says. The exhibit will be on view through March 15. The City Arts of San Mateo Gallery is at Peninsula Ballet Theatre, 1880 S. Grant St., San Mateo. Gallery hours are 2 to 7 p.m. Mondays through Fridays and 9 a.m. to 1 p.m. Saturdays. Go to www.cityartsofsanmateo.org.
On Jan, 31 the show spreads into the museum’s North Gallery and East Gallery with larger works by the artists, A reception from 1 to 4 p.m, that opening day celebrates the expanded exhibit, The show of smaller works features art by Lisa sansha dance sneaker Babbitt, John Csongradi, Teresa Hsu, Annette Legallet, June Levin, Kay Podolsky, Susan Switzer and Abbas Orumchian, The exhibit of larger pieces and 3-D creations features work by Barbara Berk, Doriane Heyman, Michael Kesselman, Rachel Kesselman, Neil Murphy, Winnie van der Rijn, Ruth Waters, Linda Salter, Roberta Salma, Carolyn Shaw, B J Stevenson, Leigh Toldi, Myrna Wacknov, Kevyn Warnock and Nancy Woods..