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Here’s rundown of more spring dance programs and events. East Bay DANCES Festival: Features performances by AXIS Dance Company, Diablo Ballet, Jubilee American Dance Theater, Savage Jazz Dance Company, the Milissa Payne Project, and Quicksilver Dance, 4 p.m. April 17; Malonga Casquelourd Center for the Arts, Oakland, $20, San Francisco Ballet: Program 7 (including world premiere of Justin Peck’s “In The Countenance of Kings”) through April 17; $22-$322; Program 8 (a revival of John Crank’s “Onegin), April 30-May 8; War Memorial Opera House, San Francisco; $39-$398; 415-865-2000,

Alonzo King LINES Ballet: Presents a world premiere work by Alonzo King in collaboration with jazz stars Charles Lloyd and Jason Moran, April 21-30; Yerba Buena Center for the Arts, San Francisco; $20-$70; 415-978-2787,, Aspen Santa Fe Ballet: Touring company performs 7:30 p.m, April 21 at Bankhead Theater, Livermore; $16-$69; 925-373-6800,, Bay Area Dance Week: April 22-May 1; features free performances, workshops, public dance red ballet flats gatherings and more throughout the Bay Area;

Citizen Dance: A series of five dance events on UC Berkeley campus, April 22; free; AXIS Dance Company: Presents “To Go Again” by choreographer Joe Goode, 7:30 p.m. April 23; Bing Hall at Stanford University; tickets by phone only, 650-724-2464. Smuin Ballet: Presents world premiere of “Oasis,” by Helen Pickett and works by Jirí Kylián and Val Caniparoli, May 6-June 11 in San Francisco, Livermore, Walnut Creek, San Mateo and Carmel; $16-$73;

Liss Fain Dance: Presents world premiere of dance/installation work “Tacit Consent,” a collaboration with composer Dan Wool and installation designer Matthew Antaky, May 5-8; Yerba Buena Center for the Arts, San Francisco; $25; 415-978-2787,, Diablo Ballet: Presents “Celebrated Masters” program, including new adaptation of “Carnival of red ballet flats the Imagination” set to Saint-Saëns, May 6-7; Lesher Center for the Arts, Walnut Creek; $44; 925-943-7469,

Pacific Ballet: Spring program includes “Kingdom of the Shades” segment from “La Bayadere,” May 7-8; Mountain View Center for the Performing Arts; $25-$30; 650-903-6000, Arthur Murray Dance Company: Presents “Extravaganza,” a ballroom dance recital, 7 p.m. May 10; Lesher Center for the Arts, Walnut Creek; $50; 92-943-7469, Contra Costa Ballet: Presents “Sleeping Beauty,” May 13-14; Lesher Center for the Arts, Walnut Creek; $35; 925-943-7469,

Slowly building momentum since his appointment as artistic director in 2010 while keeping a tight rein on the budget — a necessity after the company almost folded due to financial straits — he displayed particularly sure footing in marking Oakland Ballet’s 50th season last spring, The recent Special Award from the Isadora Duncan Awards Committee recognizing the company’s golden anniversary celebration, which highlighted Oakland Ballet’s glorious Sergei Diaghilev legacy, came as a delight but no surprise, The British-born Lustig took a break from rehearsing the ballet for the start of its sixth decade to talk, and his reaction to the Izzie red ballet flats sounded more California teen than stiff upper lip..

“It’s totally awesome!” Lustig said, without a trace of irony. “We’re all really psyched.”. As the Oakland Ballet kicks off its 51st spring season with “A Cappella — Our Bodies Sing,” the company is giving East Bay dance fans plenty of reason to feel psyched. Starting with four performances at Oakland’s Malonga Casquelourd Center for the Arts April 14-16, the ballet expands its territory with engagements at San Francisco’s Brava Theater Center (April 21) and Chabot College’s Reed L. Buffington Performing Arts Center in Hayward (April 23).

As the title suggests, the program features dances set to music performed at each show live by local vocal ensembles, Any new work red ballet flats by veteran choreographer Val Caniparoli is reason to celebrate, and this world premiere is set to the iconic 19th-century popular songs of Stephen Foster, performed by the Derek Tam-directed 14-voice Berkeley Community Chamber Singers, The prolific choreographic partners Janice Garrett and Charles Moulten found inspiration for their world premiere in a much earlier composer, drawing on the songs of 11th-century mystic Hildegard von Bingen performed by the nine women of Vajra Voices..

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