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The trivia challenge will be held at Bellarmine Prep. The cost is $600 for a team of four or $150 for individuals. Loaves & Fishes executive director AnnMarie Zimmermann, who lives in Los Gatos, says the contest is “a very casual shorts and flip flops event with great food from Cafe Stritch in San Jose.”. The contest will be professionally run by brainstormer.com. Visit loavesfishes.org/brain-food for more information. Appointments last about 15 minutes and can be arranged by calling 408.354.1514.

Two men pine for her and blame themselves for her death: Albrecht, the betrothed Duke of Silesia who had concealed that he was to be married, and Hilarion, a gamekeeper whose love for Giselle drove him to reveal his pointe shoe construction rival’s secret, As both mourn her untimely demise, magical beings resurrect Giselle and try to make both men dance to their deaths, The witches, or Wilis as they were known in the French premiere in1841, summon the girl from the grave to exact revenge on the men, But the girl’s love for Albrecht proves more powerful than the spells of the supernatural beings..

The ballet has seen many renditions in the 175 years since it was first choreographed by Jean Coralli and Jules Perot and composed by Adolphe Adam, but artistic director Jose Manuel Carreño is breathing life into his mentor Alicia Alonso’s version of the classic. Now in her 90s, Alonso, artistic director of Ballet Nacional de Cuba and iconic choreographer and prima ballerina assoluta, produced and danced the role of Giselle at her company in Cuba in the 1940s and over the years has styled a version of her own–though Carreño says it’s quite true to the original.

“She’s based it on the original, and she’s tried to preserve so much of the romantic style,” he says of his former teacher, “I have done many versions of ‘Giselle,’ but Alicia’s is my favorite.”, The movements of the dancers’ upper bodies, their arms and the careful pirouettes are all done with the Romantic era in mind, And so are the costumes, such as pointe shoe construction the bell-shaped, knee-length skirts of the ballerinas that have become synonymous with classic ballet..

“It’s going to be the Romantic costuming of the period,” Carreño says. “You’ll see the peasants and then the wizards coming out to kill.”. The San Jose production has a special significance for Carreño, who will dance the role of Hilarion in select performances. “When I graduated from school, I danced with Alicia [in Cuba] for four years,” he said. “This is the first time an American company is doing the production, and this is the first time I’m dancing with my brother.”.

Two men pine for her and blame themselves for her death: Albrecht, the betrothed Duke of Silesia who had concealed that he was to be married, and Hilarion, a gamekeeper whose love for Giselle drove him to reveal his rival’s secret, As both mourn her untimely demise, magical beings resurrect Giselle and try to make both men dance to their deaths, The witches, or Wilis as they were known in the French premiere in1841, summon the girl from the grave to exact revenge on the pointe shoe construction men, But the girl’s love for Albrecht proves more powerful than the spells of the supernatural beings..

The ballet has seen many renditions in the 175 years since it was first choreographed by Jean Coralli and Jules Perot and composed by Adolphe Adam, but artistic director Jose Manuel Carreño is breathing life into his mentor Alicia Alonso’s version of the classic. Now in her 90s, Alonso, artistic director of Ballet Nacional de Cuba and iconic choreographer and prima ballerina assoluta, produced and danced the role of Giselle at her company in Cuba in the 1940s and over the years has styled a version of her own–though Carreño says it’s quite true to the original.

“She’s based it on the original, and she’s tried to preserve so much of the romantic style,” he says of his former teacher, “I have done many versions of ‘Giselle,’ but Alicia’s is my favorite.”, The movements of the dancers’ upper pointe shoe construction bodies, their arms and the careful pirouettes are all done with the Romantic era in mind, And so are the costumes, such as the bell-shaped, knee-length skirts of the ballerinas that have become synonymous with classic ballet..


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