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Baseball fans saw Giants radio announcer Mike Krukow, and “Voice of the Giants” stadium announcer Renel Brooks-Moon, in the audience. Krukow’s son, Wes Krukow, is a dancer with Smuin Ballet. The evening included a cocktail reception, dinner, and a performance by Smuin dancers, including a comical choreographed version of Abbott and Costello’s “Who’s On First?” routine. Co-chaired by Patti and Jerry Hume, and Athena and John Konstin, the event raised more than $380,000 for the troupe.

Guests included former San Francisco Mayor Willie Brown, state Sen, Mark Leno, and San Francisco Supervisor Scott Weiner, The program included remarks by Smuin Artistic Director Celia Fushille, followed by Smuin dancers, performing a lively hip-hop number in hoodies to “WTF (Where They From)” by Missy Elliott, a slinky love duet to Nancy Sinatra’s “Bang Bang,” an athletic dance to Nina Simone’s “Feeling Good,” a classic pas de deux to Shostokovich, and an energetic work for the entire company to Elle King’s “Ex’s & Oh’s.” Among those applauding: Smuin jessica simpson red ballet flats Ballet Managing Director Rhonda Grossman, and trustees Bruce Braden, Dell Larcen, Karen Kadushin, F, Thomas Aden, Lee Baxter, and Robert Challey, as well as guests including Vicki and David Fleishhacker, Sally and Warren Debenham, Sallie and Leon Huntting, Ann Moller Caen, Delia Erlich, and other Smuin supporters..

The gas sector must shut down by about 2040. Due to climate change, its prolonged existence seems incompatible with the survival of civilization. PG&E’s gas operation has been taking a beating ever since the 2010 San Bruno gas pipeline explosion and the subsequent exposure of the company’s poor maintenance and record-keeping. The electricity sector, meanwhile, is central to the conversion of our energy system to nonpolluting sources. It faces mainly technical challenges having to do with incorporating new storage and power management technologies.

It’s difficult to believe that PG&E management can give proper attention to both of these challenges, There is a risk that choices made to ease the fate of the gas sector may damage PG&E’s ability to act nimbly in the electricity sector, It should be logical that the ballet and other arts groups stay afloat, since we are surrounded by tech companies, More jessica simpson red ballet flats advertising, more free outreach shows to schools and collaboration with large choir groups could revive programs such as Silicon Valley Ballet, If our kids are not exposed to ballet, who will watch and support future shows?..

Can you imagine flying a confederate flag or putting a bicycle lock around a white guy’s neck by other white guys? These and other actions go way beyond freshman hazing. I don’t think four months in jail is going to change these guys’ attitudes, but perhaps community service in the African-American community and sensitivity training and education could help. Most importantly, these actions must be labeled what they are, and the young men must be accountable for their actions and attitudes.

But in this tale, derived from two separate stories by E.T.A, Hoffmann, we have the chance to experience ballet’s breadth, depth, jessica simpson red ballet flats wit and scale in a parade of musically deft dances and pitch-perfect comedy, When all the elements of “Coppélia,” including music, sets and costumes, are combined in elegant proportion and performed with as much charm and humanity as they were Tuesday night by San Francisco Ballet, the world seems a little less vicious after all, In Tuesday opening performance, the epicenter of “Coppélia” was found in Frances Chung’s winning, devilish and silken girl of the story, Swanhilda, Not since Joanna Berman has a San Francisco Ballet dancer fused technique and musicality into such a lush and unmannered force, Chung floats above her busy legs and luxuriates in apt pauses before effortlessly escaping to the next step without seeming to stir a breeze..

These moments, far from reading as sheer virtuosic display, signal a physical and theatrical capacity to unearth nuance, color and depth in the role moment to moment. With a wily, wide-eyed playfulness she telegraphs that Swanhilda is smart and deliciously curious, but no brat. Even more, her Swanhilda is the embodiment of reason and ingenuity, who impishly tears down the illusions of Franz, whom she loves, while skewering the delusions of Dr. Coppelius, whose beloved doll Franz believes is a real girl and, worse, prefers her to Swanhilda.

Franz is Swanhilda’s foil, and Vitor Luiz makes for a winning, boyish Franz, As charming as the lithe Luiz is, though, he dances with a verve that tips into excess force, leading to anarchic jumps and unstable landings, like a puppy that hasn’t synced up all its talented extremities, He is also uncertain in partner lifts, For some of us in the audience, this was nerve wracking, Like a screwball comedy, “Coppélia” turns on a strong female lead, dances through mistaken identity and farce and ends with a marriage, In Act 1 the plot is set: The town is to celebrate the arrival of new bells with a festival, jessica simpson red ballet flats Stalks of wheat are distributed, and superstition decrees that young women who have wheat seeds that rattle will be loved by their men, and soon married, Coppélia’s is silent; so she knows Franz prefers the startling, stationary beauty often seen on Dr, Coppelius’ balcony..


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