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Details: 8 p.m. May 11-12; $40-$60; 866-663-1063, www.feinsteinsatthenikko.com. 5 “Forever Plaid”: This popular staple of the regional theater circuit embraces, with the hint of a wink, the innocence of the 1950 boy band era, when groups like the Four Freshman delivered pleasant harmonies and above-board lyrics. If you’re aching for entertainment from a simpler time, Tri-Valley Repertory Company is presenting the musical revue at Hayward’s Douglas Morrisson Theatre. A review of the production is here.
Details: Through May 21; $25-$29; 510-881-6777, www.dmtonline.org, 6 “The Events”: Shotgun Players presents David Grieg’s acclaimed drama of catharsis about the survivor of a mass shooting seeking solace and stability, The play includes a live choir, and Shotgun Players’ production — like other stagings of “The Events” — brings in a different vocal group for each performance, Details: Through May 28; Ashby Stage, how to glue toe caps on pointe shoes Berkeley; $5-$40; 510-841-6500, shotgunplayers.org, 7 Mariachi Vargas: The 119-year-old outfit out of Tecalitlan, Mexico, is considered one of the finest mariachi bands on the planet, having performed countless concerts, appeared in hundreds of movies and even inspired an opera, Expect San Jose’s City National Civic to be jumping when Mariachi Vargas stops in May 13 for a single performance..
Details: 8 p.m.; $43-$128; sanjosetheaters.org. 8 Thurston Moore: The title to Moore’s new album — “Rock n Roll Consciousness” — might sound pretentious, but the groundbreaking guitarist and founding member of Sonic Youth says the name refers to a period of aimlessness in recent years and his search for a grounding force. “I realized my consciousness is in rock ‘n’ roll music,” he told Rolling Stone. “It’s the connection I feel when I’m in second-hand record stores and bookstores. I always have a moment of visceral contemplation there. It’s really vibrational.” Moore and his new band will highlight the recording May 12 in a show at The Chapel in San Francisco.
Details: 9 p.m.; $20-$22; www.thechapelsf.com, 9 Notes and Words: The annual fundraiser for UCSF Benioff Children’s Hospital Oakland this year features Daveed Diggs, the Oakland actor and singer who wound up in a little Broadway show titled “Hamilton,” plus the Head and the Heart, Vocal Rush, Michael Lewis, Calvin Trillin, Kelly Corrigan and more, Details: 8 p.m, May 13; Fox Theater, Oakland; $100-$500; apeconcerts.com, 10 Cornelius Boots: The Bay Area musician is best known as a master of the how to glue toe caps on pointe shoes shakuhachi, the Japanese wooden flute often affiliated with Zen Buddhism and other spiritual practices, But Boots’ latest album, “Holy Flute,” goes in a different direction; it’s a collection of covers of songs by such noted head bangers as Black Sabbath, Lamb of God, Dio, Danzig and Led Zeppelin, Boots and Bay Area musician Mark Deutsch will showcase the recording with a May 13 concert at St, Alban’s Episcopal Church in Albany..
This year is the 50th anniversary of the Summer of Love in San Francisco. Trey McIntyre’s new work, “Be Here Now,” evokes the feelings of community and naiveté of that time, in sharp contrast to the backdrop of the still-fresh Cuban missile crisis, political assassinations, the Vietnam War, civil rights struggles, and general social upheaval. Billed by the company as “an energetic exploration of dance and the creative process,” “Be Here Now” premiered during the opening night of Smuin’s Dance Series 02 in Mountain View, on May 5.
McIntyre provides a thoughtful essay in the program, which helps to illuminate his approach to the creative process as well as his spiritual philosophy, The piece is heavy in stereotypical symbolism and innuendo — mushroom clouds, young people tripping, “free love.” The dancers are self-involved in their feel-good bacchanalia, but at the same time aware of the audience — grinning at us, sharing flowers with us, The how to glue toe caps on pointe shoes choreography is loose and fluid, effectively depicting the amiable chaos of a gathering of hippies, The strongest moments, however, are the solos where the lack of background movement allows the audience to focus, The costumes are what we would expect to see — fringe, lace, and lots of bare skin, The ending was a little confusing for the opening night audience, in that we weren’t sure when to clap..
The highlight of the program was Amy Seiwert’s “Broken Open,” which stole the show when it premiered in Smuin’s 2015 season. The piece is a series of group, duet and solo sketches to music by experimental cellist Julia Kent. Seiwert makes ingenious use of slits in the black upstage curtain. As the lights come up at the start of the piece, dancers scuttle into the dark corners like insects, leaving a lone dancer on stage. At other times, dancers enter stealthily and leave again while our attention is elsewhere.
Seiwert’s choreography incorporates intricate gestures and hand movement motifs, particularly pleasing and clear on dancers Terez Dean and Ben Needham-Wood, There are many moments of breathtaking lifts and inventive pas de deux, signatures of Seiwert’s style, The program includes another new piece, “The Poetry of Being,” by Smuin dancer and emerging choreographer Nicole Haskins, The dance is set to Tchaikovsky’s sumptuous “Souvenir de Florence,” and oftentimes Haskins highlights the crescendos in the music by how to glue toe caps on pointe shoes having her dancers stand completely still, letting the music take the focus..