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Co-chairwomen Charlene Cogan and Lisa Mooring welcomed 390 guests to the sold-out biennial dinner and dancing gala in the Rodin Sculpture Garden. “Rodin by Moonlight continues to take my breath away — the beauty of the art, museum and evening is simply perfection,” Cogan said. The evening raised funds for education programs and acquisitions. Deputy Director Mona Duggan said they did very well. Sue and John Diekman were honored for their contributions to the museum. Sue is chairwoman of the Museum Advisory Board.

“They make things happen,” Museum Director Connie Wolf said, John said, “It’s a night to enjoy the camaraderie of friends and the music.” Then he added, “In the words of a well- known philosopher, ‘Let’s party.'”, Dinner by master chef Mark Sullivan of Spruce and Café Des Amis, with Paula LeDuc Fine Catering, received rave reviews; an a capella performance of Dvorak’s “Hymn to the Moon” by Aleta Hayes of the Stanford Theater Department; and music by David Martin’s House Party freed satin ballet shoes for dancing at the Gates of Hell (the Garden’s famous sculptured doors) created the uniquely artistic occasion..

“My first-ever experience with the museum’s signature gala was a pure delight — Rodin’s Gates of Hell look entirely different from the dance floor,” Wolf said. Once again floral designers Jeff Adair and Craig Kozlowski, owners of J Floral Art, collaborated on the design theme with the committee. “It celebrated the four seasons. It was fun and different this year,” Adair said. The portrayal of the four seasons in a garden centered around four large, orchid-draped trees in key areas of the museum. When visitors climbed the brown-carpeted staircase, they viewed the spring tree, which featured peach mokara orchids attached with pale peach ribbons. Guests took turns posing for souvenir photographs while enjoying music by Stanford student musicians Alexandra Frosh, Kai Kight and Marisa Meredith.

Guests dined among 19 bronze sculptures in the Sculpture Garden, The gold table décor — pale gold cloths with gold-edged glasses — complemented the bronze sculptures, Centerpieces freed satin ballet shoes were golden bowls that contained a mixture of the flowers from all of the seasons, accented with blackberries and pears, A large, all-white tree featuring 500 dendrobium orchids decorated the museum courtyard, which was the scene for the cocktail reception, The highlight was a fashion show featuring four models from Neiman Marcus (the signature sponsor) wearing white designer gowns and showcasing spectacular diamond necklaces, bracelets and earrings designed by Maria Canale of Forevermark Diamonds, She flew in from New York for the occasion..

The phrase “You look like a million bucks” was true of model “Sanela,” who wore a $1.3 million necklace with an art deco cuff bracelet and earrings totaling more than $100,000. If someone bought the necklace that night, the store would donate $75,000 to the museum. At press time the necklace is still available, and the donation offer still stands. Committee members — Melissa Badger, Stephanie Beasley, Paula Carano, Julie Terrell Hooper, Michele Kirsch, Sandy Levison, Wendy Rohn, Anne Lawler and Janice Meisel — were so well organized that they could enjoy the reception and diamond fashion show along with a signature “Verde Primavera” cocktail.

Members of the Stanford community included Stanford President John and Andrea Hennessy, Stanford Provost John Etchemendy and his wife Nancy, and Nobel laureates Paul Berg and his wife Mildred, and Thomas Kornberg and his wife Jody, Seen dancing were John and Jill Freidenrich, Bandel and Paula Carano, John and Cynthia Fry Gunn, Burton McMurtry and his wife Deedee, Tad and Dianne Taube, Michele and Steven Kirsch, Margaret (Moo) Anderson and Mary Putter Pence, freed satin ballet shoes Neiman Marcus Stanford General Manager Gary Guthrie and his wife Perri, and Lisa and Doug Goldman..

There was buzz about the upcoming exhibit “Carrie Mae Weems: Three Decades of Photographs and Video,” which opens on Thursday. It is the first major museum retrospective covering 30 years of the acclaimed contemporary artist and photographer’s work that interprets the African American experience. The winner of a McArthur “genius grant” in 2013, she will be giving a lecture on Oct. 16 in the Cemex auditorium at the Knight Business School. In an interview earlier this week, Wolf said, “As always, this year’s Rodin by Moonlight was a wonderful celebration of the Cantor Arts Center’s vital relationship with its friends and supporters, who champion our work and enable the museum to be an enduring resource for Stanford students and faculty, and the broader community.”.

Maria Basile, sjDANCEco’s artistic director, couldn’t resist the tale of love, jealousy and revenge that was brought to her attention by Daniel Helfgot, familiar to Bay Area audiences as a prolific director of operas and theater works, Basile leaped at the chance to choreograph “Tango Fatal” but, owing to a lack of expertise in Argentine tango, did not freed satin ballet shoes incorporate the actual dance in her interpretation, Instead, she created “tango-like movements that have the flavor and essence of the style.”..

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