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Explore Music with the Blue Devils: 7-8 p.m. Sept. 16. Visitors can see the Blue Devils color guard and musician demonstrations and then try it for themselves. Free Tutoring: 4-6 p.m. Wednesdays. Responsible teen volunteers will tutor all subjects and all ages. Contact Christina Gendron at 925-646-5455 with questions or to become a tutor. All Ears Reading Insiders Group: 1:30-2:30 p.m. Oct. 9. Adults with developmental disabilities are invited to practice their reading skills to gentle and patient listeners — dogs. In partnership with ARF, dog teams will be available for a short one-on-one reading session. Participants should sign up at the door upon arrival.

Insiders: 12:30-1:30 p.m, Sept, 25, Adults with disabilities can enjoy a laid-back setting in the library for enrichment and fun, Events differ each month and vary from arts and crafts, enjoying music and dance, and playing games on the Wii, Concord Mystery Book Club: 2:30 p.m, the second Sunday of the month, and mystery lovers are invited to join the group, The Oct, 13 discussion is on “A Finer End,” by Deborah Crombie, Tech Check Up: 2-4 p.m, Saturdays, Adults and seniors can get assistance on a drop-in basis on how to use computers, and can get help essie ballet slippers gel number setting up e-readers, smart phones, tablets and using Word, Excel, PowerPoint and other programs..

Knitting and crochet group: 1:15-4:45 p.m. Oct. 6. Knitters and crocheters of all levels are welcome. Drop in anytime to knit, crochet and network. Free knitting and crocheting instruction. Some practice yarn provided, but bring your own needles. ESL Conversation Group: 7-8 p.m. Thursdays. Adults can practice their English conversation skills in an informal, friendly and small-group setting. Computer Tutoring: 10-11 a.m. and 11 a.m.-noon Fridays; and 2-3 p.m. and 3-4 p.m. Saturdays (no session Sept. 14). Adults can get one-on-one help with basic computer instruction — setting up an email account, searching the Internet, formatting a Word document and beginning Excel skills.

The brutal clarity of Shepard’s masterpiece, which made its world premiere at San Francisco’s Magic Theatre in 1978, before winning the Pulitzer Prize and making the playwright famous, has not diminished a bit since its debut, Shepard’s savage deconstruction of the American heartland, its expose of the sham of the Norman Rockwell mythology and the sacred nature of family bonds is as emotionally essie ballet slippers gel number devastating as ever in Loretta Greco’s blistering revival at the Magic, A homecoming of sorts for the troupe’s most famous resident playwright, this epic return to the unforgettable terrain of “Buried Child” runs through Oct, 6..

From “True West” and “Curse of the Starving Class” to “Fool for Love,” this iconic American playwright has laid bare our treasured notions of home and hearth. This is a blistering ode to the quaint American dream twisted into snarling nightmare that careens from the surreal to the gritty with shattering force. A deeply resonant homage to Shepard’s legacy, this is a “Buried Child” that celebrates not just the enduring jolt and sting of the playwright’s genius. It also revels in the tremendous comeback the Magic has achieved since Greco took over. The gravitas of this staging, from its devastating performances to its haunting music (by Jason Stamberger and Jake Rodriguez), is unmistakable.

This is a homecoming that’s half reunion, half blood sacrifice, Scruffy 20-something hipster Vince (a sensitive turn by Patrick Alparone) wanders back to the old homestead in search of his roots during a torrential downpour, He wants his live-wire girlfriend Shelly (Elaina Garrity) to meet his folks, but he also wants to reaffirm his identity, his sense of connection with the past, He should have realized that no matter how hard you try, you can never go home again, No one in this forsaken brood, cringing amid the squalor essie ballet slippers gel number of a crumbling Illinois farmhouse, can even remember who he is..

Not his father, the dimwitted Tilden (James Wagner); not his menacing, legless uncle Bradley (Patrick Kelly Jones) and certainly not his decrepit grandparents, the grizzled Dodge (a colossal performance by Rod Gnapp) and the prissy Halie (a wry Denise Balthrop Cassidy), the couple that first put down roots on this hardscrabble farm. Even the land itself, the rows and rows of untilled farmland gone to seed, seems not to acknowledge his presence. The suggestion that there are a few secrets buried beneath that soil only worsens the collective amnesia that cloaks this clan. If they remember Vince, will they also have to come to grips with the skeletons buried under all that golden corn? Will they have to dig up the rotting legacy of the past?.

Greco lets the momentum of the landmark drama roar ahead like a runaway train, until the air is thick with taboo and dread, The eerie atmosphere of this twilit universe suggests that there may be no boundary between the living and dead, All of these lost souls seem to have one foot in the grave, In Gnapp’s deft hands, Dodge emerges as a man on the brink of a catatonic torpor, chugging whiskey, hacking up his lungs, reciting an endless litany essie ballet slippers gel number of bile and regret at his wife, She responds to his decline with disdain, fondling her pearls and flirting with the parish priest (Lawrence Radecker), They are locked in a dance macabre with no way out, Corn is shucked, carrots are peeled, and the cycle of birth and death marches on unaware of the individual desires involved..


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