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Her two sisters moved out from New York. “My family had to move me out of the house I shared with my roommates, and my sisters and my boyfriend moved in with me,” Ho said. “That brought the idea of me living as a 20-something on my own to an end, at least for now.”. Yet as tough as things have been, Ho is thankful for family she can count on. “It’s really made me appreciative of what I have,” Ho said. In March, Ho is leaving AXIS and heading to Uruguay on a Fulbright Scholarship. She will spend nine months teaching dance to disabled students. Her boyfriend is going with her.
Centuries before the state of California thought to offer a non-binary gender option on official identity documents, kathak dancers embraced the brown ballet pointe shoes creative possibilities of gender fluidity, The North Indian classical tradition “is predominately a solo dance form,” says director and choreographer Akram Khan, 43, who was born in London to parents from Dhaka, Bangladesh, “Hindu mythology has many characters, male, female and in between, and we’re used to shifting very fluidly.”, On Oct, 27-28, Stanford Live presents the Akram Khan Company’s acclaimed production “Until the Lions,” a work drawn from the vast Sanskrit poem the Mahābhārata, Pulling out a small narrative thread from the Hindu epic, the story centers on a woman changing her gender in order to exact revenge on her tormentor, The title is an excerpt from a table-turning proverb famously related by Nigerian novelist Chinua Achebe, “Until the lions have their own historians, the history of the hunt will always glorify the hunter.”..
Khan originally conceived of the piece as a solo work for himself because he “wanted to explore transformation in my own body, but I had recently made ‘Desh’ and I was tired of being alone in the studio,” he says, referring to his widely seen solo work exploring his ancestral homeland. “I thought I’d love to have these amazing women dancers in my company be part of it.”. While Khan danced the male role in the 2016 premiere of “Until the Lions,” for the Stanford production he recruited the Java-born dancer Rianto, who like many Indonesians uses a single name. The Tokyo-based master of the gender-bending lengger dance tradition performs with two female dancers from Khan’s company — Ching-Ying Chien and Christine Joy Ritter — along with two singers, a percussionist and a guitarist.
Khan has said this will be his company’s last performance of “Until the Lions,” a project that brought together several longtime collaborators, including writer brown ballet pointe shoes Karthika Naïr, Academy Award-winning visual artist Tim Yip (“Crouching Tiger, Hidden Dragon”), and composer Vincenzo Lamagna, who also worked with Khan on last year’s acclaimed production of “Giselle” for the Manchester International Festival and English National Ballet, While he combines contemporary dance with his traditional training, Khan embraces the holistic kathak aesthetic that makes no distinctions between music, dance, and theater, “There’s recorded sound and live music simultaneously,” he says, “The production is in the round and the audience is watching the musicians watching us, The musicians are almost physical performers, They’re integral to the choreography and theatricality, They’re moving in space and reflect society.”..
Khan traces his interest in mythology to his literature-loving mother. Growing up, he devoured Greek mythology and the scared stories of Islam, Christianity, Judaism, and of course Hinduism. But his abiding passion for the Mahabharata came from his early professional experience with director Peter Brooks in the late 1980s. Starting at the age of 13, Khan spent two years touring internationally with the Shakespeare Company’s production of Mahabharata, “a fascinating experiencing in that almost every night we performed Mahabharata in semi-entirety. I became very close to the female actresses, who became motherly toward me. I thought whenever I tackle this, I’ll tackle it from the point of view of a female character.”.
— Akram Khan Company (@AkramKhanLive) October 23, 2017, “Until the Lions” focuses on Amba, a princess abducted on her wedding day and exiled from her community, Imploring the gods to help her seek revenge on the prince Bhishma, she spends her life seeking justice (which in the Mahabharata she attains in the next life as the warrior Shikhandi), In a moment when so many women are coming forward with stories of abuse, “Until the Lions” seems powerfully topical as well as timeless, Khan cautions that mythology shouldn’t “be taken literally, It was meant to be metaphorical, But metaphorically and literally, it does reflect society today, When my daughter was born in 2013, there was a brown ballet pointe shoes moment when I thought, what would it be like to imagine the world through her eyes? And it was quite disturbing, That’s something I wanted to get at in this piece.”..
The Bay Area has embraced the Mexican traditions of Dia de los Muertos, or the Day of the Dead, with parades, art exhibits, theatrical performances and other gatherings that start earlier than All Saints’ Eve, All Saints’ Day and All Souls’ Day and extend beyond those dates. Here’s a sampling of events. If you know of others, email us at firstname.lastname@example.org. and we’ll add them to the list. MAJOR EVENTS (in chronological order). Dia San Jose, Oct. 21: St. James Park in downtown San Jose will be transformed into a site of remembrance and celebration with an artists’ colony, sugar skull decorating, live music, Lucha Libre, food booths, low-rider cars and more. Details: 11 a.m.-6 p.m. Saturday, Oct. 21. Admission, $2 donation requested at the gate. http://diasanjose.com/.
Dia de los Muertos Procession, Oct, 22: The San Jose Multicultural Artists Guild will brown ballet pointe shoes hold its 20th annual procession in San Jose, Costumed participants should gather at 11 a.m, at City View Plaza near Cesar Chavez Park, At noon, the procession will begin on Market Street and travel to the Martin Luther King Jr, Library, Fourth and San Fernando streets, A family-friendly festival follows at San Jose State with music, arts and crafts and more, Details: 11 a.m.-4 p.m, Admission is free, www.sjmag.org..