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“I was required to take a DNA test. The tests were new then, and when the results came back, they gave the odds that we were related as the highest the instruments could measure at the time: 94.4 percent. The court required my father to cover welfare back payments, child-support payments of $385 per month, which he increased to $500, and medical insurance until I was 18. The case was finalized on December 8, 1980, with my father’s lawyers insistent to close. Four days later Apple went public and overnight my father was worth more than $200 million.”.
And Then This, “But before that, just after the court case was finalized, my father came to visit me once at our house in Menlo Park, where we had rented a detached studio, It was the first time I’d seen him since I’d been a newborn in Oregon, ”’You know who I am?’ he asked, He flipped his hair out of his eyes, ballet shoes drawing “I was three years old; I didn’t, ‘“I’m your father.’ (‘Like he was Darth Vader,” my mother said later, when she told me the story.)..
California voters need to be aware of lunacy, inconsistency and waste attributed to many of the bills promulgated by State Sen. Scott Wiener. One example from last year was SB 239 to decriminalize the transmission of HIV and other communicable diseases unless it was intentional which was a pander to the LGBT community. Then there was SB 384 (which did not pass) that sought to allow bars in certain jurisdictions to stay open until 4 a.m., thus creating a potential threat to public safety. Now Wiener is seeking to revitalize legislation vetoed by the governor last year requiring presidential candidates to release their tax returns before their name can be added to the ballet. Any reasonable person knows that this is a partisan ploy aimed at President Trump and that no Republican candidate will most likely win statewide office in the near future, so it is thus a waste a time.
For many Bay Area music lovers, it isn’t summer until the San Francisco Symphony presents its annual outdoor concert at the Stern Grove Festival, The chance to hang with friends, enjoy a picnic and relax to the sounds of the orchestra in the beautiful outdoor amphitheater is one of the most delectable treats of the season, This year’s festival — Stern Grove’s ballet shoes drawing 81st — brings the Symphony back for a free concert conducted by Jayce Ogren, The program features three works by Antonín Dvořák: the zesty and characterful Slavonic Dances Nos, 2 in E minor, 7 in C major, and 8 in G minor, Polish-American pianist Adam Golka, whose credits include the first prize medal at the China Shanghai International Piano Competition, joins the orchestra in Beethoven’s Piano Concerto No, 4, Sibelius’ Symphony No, 2 in D Major completes the program..
In January, British Prime Minister Theresa May appointed a Minister of Loneliness for the United Kingdom. Yes, that’s across the pond, but the move has implications far beyond the U.K. Many of us feel isolated or alienated. Pundits blame the destruction of community and the feeling of belonging, often faulting the rise of technology and prioritizing material possessions over human relationships. Fortunately the Bay Area offers a solution — the annual San Francisco Ethnic Dance Festival. Come to San Francisco’s War Memorial Opera House on July 14, 15, 21 and 22 and you’ll discover a world where people of all backgrounds converge to create vibrant artistic expression through community effort. Maybe you’ll even be inspired to start dancing and experience being part of something larger than yourself.
For the 40th anniversary of the Ethnic Dance Festival, 21 companies, all based in the Bay Area, will be presenting music and dance from Alaska, Bolivia, Cambodia, China, Cuba, India, Korea, Liberia, Mexico, Peru, the Philippines, Spain, Tahiti, the continental U.S., and Zimbabwe, Eight of those troupes are offering world premieres of work created especially for this milestone season, Julie Mushet, executive director of the event run by the nonprofit World Arts West, is thrilled that opening weekend will highlight Chuna McIntyre and the Nunamta Yup’ik Eskimo Singers and Dancers troupe he founded and ballet shoes drawing directs, The artist, choreographer and performer, a native of Eek, Alaska, has long worked to preserve the art and culture of the Yup’ik people..
“The Yup’ik piece is a really important,” says Mushet. “It will be setting the spiritual tone for the whole two weeks of the festival. Chuna has been working on the regalia for more than 10 years and the dance has not been seen in over 200 years. Chuna learned it from his grandmother who learned it from her grandmother. The love of passing the tradition from generation to generation is so powerful.”. One significant change this season is the transition from co-artistic directors, C.K. Ladzekpo and Carlos Carvajal, to a new team of three: Patrick Makuakāne, founder, artistic director, and Kumu Hula (master teacher) of San Francisco’s renowned Nā Lei Hulu i ka Wēkiu Hawaiian dance company; Latanya d. Tigner, a dancer and choreographer at Oakland’s Dimensions Dance Theater who directs Dimensions’ youth company and is a member of UC Berkeley’s Department of Theater, Dance and Performance Studies; and Māhealani Uchiyama, founder and artistic director of the Center for International Dance in Berkeley, Kumu Hula of the troupe Hālau Ka Ua Tuahine, and an award-winning choreographer and composer.
“Watching them gel has been an incredible process,” says Mushet. “They have unique skills but when they come to the table together it’s incredible how efficient they can be in their decision-making and implementation.”, “As directors we seem to be on the same page, and if we’re not, we’re able to hear each other,” Makuakāne says, “The difference between running my own company and the festival is that it’s a collaborative ballet shoes drawing effort, With my company, I do everything. I have to come up with all the ideas and solve all the issues.”..